ZF Aftermarket
        Storyboard
The leading technology innovators wanted to humanise their offering and illustrate how their groundbreaking products filtered through as benefits to the end users, without the end user even realising.
I was asked to bring the script to life through a number of storyboards, with each frame emphasising the magic of a childs imagination.
 
	 
	 
  – We open on a little girl in her bedroom. It is evening. She is in her pyjamas and ready for bed, and is now getting her dolly and Teddy into their pyjamas and ready for bed, too.
           – We open on a little girl in her bedroom. It is evening. She is in her pyjamas and ready for bed, and is now getting her dolly and Teddy into their pyjamas and ready for bed, too. – Teddy nods. She settles Teddy into bed.
           – Teddy nods. She settles Teddy into bed. – She turns to look at a picture of her Dad on the wall and gets another idea.
			   ‘My daddy.’
           – She turns to look at a picture of her Dad on the wall and gets another idea.
			   ‘My daddy.’
      – We zoom into the comic book. The superhero on the cover turns into her Dad.
           – We zoom into the comic book. The superhero on the cover turns into her Dad.
      – She turns the page. Inside, another illustration of Dad, stepping from a train into a desert, surrounded by swirling sands…
           – She turns the page. Inside, another illustration of Dad, stepping from a train into a desert, surrounded by swirling sands…
      – We see Dad enjoying the journey as the train speeds across the desert.
        ‘He fixed a train and made it safe to go on its journey all the way across the desert…’
           – We see Dad enjoying the journey as the train speeds across the desert.
        ‘He fixed a train and made it safe to go on its journey all the way across the desert…’
      – She looks around the room for inspiration and sees the frieze on the wall showing boats on the waves. ‘He helped a ship travel across the widest ocean…’
           – She looks around the room for inspiration and sees the frieze on the wall showing boats on the waves. ‘He helped a ship travel across the widest ocean…’ – She is on a roll now, taking inspiration from everything she sees…
           – She is on a roll now, taking inspiration from everything she sees… – Close up on Teddy, looking up at the ceiling. We see the twinkling lights reflected in one of his glassy eyes. It is as if Teddy, as well as the girl, is imagining the story.
           – Close up on Teddy, looking up at the ceiling. We see the twinkling lights reflected in one of his glassy eyes. It is as if Teddy, as well as the girl, is imagining the story. 
      – Mix to the twinkling lights of a city. Cut to Dad, looking down from a hill at the scene. Teddy is standing by his side, looing down proudly at the cityscape.
        – Mix to the twinkling lights of a city. Cut to Dad, looking down from a hill at the scene. Teddy is standing by his side, looing down proudly at the cityscape. – Cut back to the girl’s bedroom. Dolly’s hair is blowing in the wind. The girl is pointing a fan at her. ‘He loves adventure… so he knows about motorbikes.’
           – Cut back to the girl’s bedroom. Dolly’s hair is blowing in the wind. The girl is pointing a fan at her. ‘He loves adventure… so he knows about motorbikes.’ – ‘It’s his job to keep everyone safe.’
        – ‘It’s his job to keep everyone safe.’ – Cut back to the girl in her room. She looks up at the framed picture that says, ‘DREAM BIG’.
        – Cut back to the girl in her room. She looks up at the framed picture that says, ‘DREAM BIG’. – As she speaks she puts on her toy space helmet. 
			‘He’s seen the future and he says it’s very exciting…’
        – As she speaks she puts on her toy space helmet. 
			‘He’s seen the future and he says it’s very exciting…’ – …and reappear in the back seat of a car.
           – …and reappear in the back seat of a car. – Cut to an instrument panel on the car showing OPENMATICS data.
        – Cut to an instrument panel on the car showing OPENMATICS data. – Cut to Dad standing in the road in front of a speeding bus with his palm extended.
        – Cut to Dad standing in the road in front of a speeding bus with his palm extended. – The bus slows to a stop. We realise Dad wasn’t putting himself in danger standing in the road; this is the future and he is hailing an autonomous bus.
        – The bus slows to a stop. We realise Dad wasn’t putting himself in danger standing in the road; this is the future and he is hailing an autonomous bus. – Back in the bedroom the girl has got into bed in between the two toys and is reading the comic book to them under the covers.
           – Back in the bedroom the girl has got into bed in between the two toys and is reading the comic book to them under the covers. – The girl hasn’t yet noticed her dad has arrived home from work.
        – The girl hasn’t yet noticed her dad has arrived home from work. – The girl, still under the covers, smiles.
           – The girl, still under the covers, smiles. – We see the dad working for real among various scenarios (e.g. on an African train’s gearing, in the engine room of a cargo ship, on a wind turbine above an illuminated city, on an electric car test track, and finally the autonomous bus driving).
        – We see the dad working for real among various scenarios (e.g. on an African train’s gearing, in the engine room of a cargo ship, on a wind turbine above an illuminated city, on an electric car test track, and finally the autonomous bus driving).
      
           
     